In the Shadow of the Moon
- heavy
- brisk
- intense
- cold
- twisty
Heavy, kinetic, measured sci-fi / thriller, inventive in texture. Ambivalent, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →In 1988, Philadelphia police officer Thomas "Locke" Lockhart, hungry to become a detective, begins tracking a serial killer whose crimes defy scientific explanation. When the killer mysteriously resurfaces nine years later, Locke's obsession with finding the truth threatens to destroy his career, his family, and possibly his sanity.
Our read · In the Shadow of the Moon (2019) reads as a heavy, kinetic, inventive sci-fi · thriller · slasher entry — measured in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of In the Shadow of the Moon
What watching it is actually like.
“You want a time-hopping detective mystery that rewards paying close attention.”
Skip it tonight — You hate timeline puzzles or need a clean, airtight sci-fi explanation.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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